Sam Rockwell stars as an otherwise unnamed man who shows up at a Norms diner in Los Angeles looking like a homeless person but claiming to be a time traveler from an apocalyptic future. He’s there to recruit the locals into his war against a rogue AI, although the diner patrons are understandably dubious about his sanity. (“I come from a nightmare apocalypse,” he assures the crowd about his grubby appearance. “This is the height of f*@ing fashion!”)
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The above plays out in fragmented fashion during DTF St. Louis' first episode. Time jumps abound, leaving awkward gaps in Floyd and Clark's relationship. These gaps serve less as proof of the passage of time and more as the show hiding its juiciest developments for later.